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Kickstarter: 7 Questions with Erik Mana about 'No.3'?


From Toronto Canada, Magician and Mentalist Erik Mana has spent more than 25 years at his craft. For the past 13 years he's been touring Asia with his show, and soon will be returning home to Toronto to begin the process of a new start up company.

In High School Erik trained and apprenticed in Classical Animation, but his passion for magic took a stronghold after college and his career as a Magician has flourished. Through the years Erik never let go of his love of art, he kept sketching and drawing and when the 1st digital programs such as Corel Draw and Photoshop emerged, he devoured all he could learn of the media and since moved on to Illustrator and mutli media software such as After Effects

Erik's success as a magician is only matched by his success as a Playing Card Designer, with the stellar release of his original Mana Deck, Oracle, and a recently successful follow up Zinfandel and Indigo, Erik still maintains he's no designer.......

"I'm not a freelance designer and I actually don't consider myself as a "designer". I just love art and I like to create things. And most of my work is purely out of my own interests and of course to service my career. Even from way back at the start of my magic career, it was always a dream of mine to create my own working supply of playing cards. So this series of cards is definitely a dream come true for me."

Erik will be launching "No.3" the newest deck in the Mana line of Playing cards via Kickstarter on August 6th to a very excited audience. Projects are always time consuming but Erik was nice enough to answer a few question about the newest addition to the Mana line.

How long has the Mana Playing Cards No. 3 Gold been in the works?
After my first Kickstarter project (Version 2 : Zinfandel & Indigo) funded back in December I started planning for No.3. But at the time, it wasn't called No.3, it was going to be the Gold Oracle, which was the follow up deck to my first deck the Silver Oracle. Many people expressed their support for the Gold Oracle when I first made mention of it during my campaign. At first, the idea was just to have a color change from the Silver Oracle because I wanted the gold version to be functional with the silver version. Color changes and transformation tricks are staple card tricks in a magician's repertoire so naturally, a simple color change was all I had in mind.

Then one day I was speaking with Bill Kalush of EPCC and we got to talking about my plans for the gold. I loved the idea of having an ultra limited run of 1000 decks and I felt that the gold deserved that. But then I got to thinking that maybe the gold deserved its own special design as well, not just a simple color change and so the back design changed, the faces changed and so did the box. So the whole evolution of the deck probably took about three months. And eventually the "Gold Oracle" became No.3.

Anyone who knows me, knows that 3 is my lucky number. So I loved the fact that I could literally call the third deck of my series No.3. BUT! No.3 does have a real name and her name is SYBIL.

"Sybil" to cardists (especially) and to magicians and even to some collectors is known as a flourish move that has become one of the fundamental techniques to cardistry. I even created my own version of the flourish called the Oracle cut which you can see on the Oracle Joker. When I created the Oracle, there was a lot of double meaning behind the deck and one of that was the Oracle name. Because back in ancient times an Oracle was also known as Sybil.

So No.3, Sybil, is actually in honor of the original Oracle. Sybils were known to be prophetess and were always sought out for divine advice and playing cards have been the device for divination and magic for centuries so naturally Sybil was the perfect name for the deck.



Can you describe Sybil's playing cards themselves and how they differentiate themselves from other Mana decks?
First it's important to know that all three of my designs have the same "DNA". That is to say that they all have a similar design, yet their own special individual characters as well.

Sybil is truly for the discerning collector. It's design from back to face to box has all evolved into something more mature and classical. She has thinner borders with a new ornamental frame. There are changes inside the flourish design as well. The faces are different, especially the indexes and court cards. The colors are deep and rich. They won't be metallic faces like the Oracle or Zinfandel/Indigo decks are, but there will be accents of gold metallic in the court cards. And the jokers are probably my favorite cards out of the entire deck, because it is Sybil herself.

The deck is very different from the first two decks physically too. As you know Expert Playing Card Co. will be producing this deck and I'm very impressed with the quality of their decks lately. They have a solid feel to it, thinner yet snappier and the cut is perfect. The Master finish that EPCC offers is what I think will take Sybil to the next level when it comes to metallic back designs. The finish adds more shine to the metallic inks, more than USPCC does. I can't wait to see both the silver and the gold shine through the Master finish.



The Tuck Box looks very intricate and unique, what can you tell us about the design concept of the Tuck?
I have always wanted to create a cigarette box style tuck. When Bill and I spoke about custom tucks, I felt this was a good opportunity to try to create one. So I found a simple template that was sized for actual cigarettes and I started re-engineering it to fit a deck of cards. I even bought a pack of cigarettes and opened up the box to see how everything worked. That was not easy at all! A cigarette box design is not very forgiving if you're even off by a .25mm. I probably went through a dozen prototypes before it started to fit right. There is also a small matter of the added "sleeve" piece that needs to be tucked inside the box. This sleeve must fit properly inside to allow the top flap to close snuggly and hold it close when the flap is shut. All in all it probably took a little over a week to finally have good working prototype.

After I mastered the box template, I started working on the actual design. It wasn't too difficult for me because I already had a vision of this design long before I even found the template. The great thing about the actual cut of the box is that it works perfectly with the back design of the deck. The Gold & Silver Reserve decks will be in matte black tucks. The back design will be blind embossed on the front. There will be gold and silver foil stamping respectively. The back currently has the Mana Ace of Spades and "Mana Playing Cards" clear foil stamped. This may change in the future, but for now I like the simplicity and the throw back to the original Silver Oracle. The inside sleeve will be gold, but this too may change depending on what EPCC factory's capabilities are. These tucks are quite complex and I'm hoping they turn out perfectly.

The Silver Sybil (unlimited) deck will be matte in a printed metal grey box. It will use EPCC's side loaded tuck design with the Mana Ace of Spades blind embossed on the front and "Mana Playing Cards" clear foil stamped on the back. Again, I like the simplicity of the design. I am trying to avoid "over designing" the boxes. I want to give them an elegant clean look.


What will backers have to look forward to in this Kickstarter campaign?
A very simple campaign. The only add on's I have in this current project are the unlimited Silver Sybil decks and the uncut sheets. I am putting all my focus on the decks and making sure this campaign runs smoothly.

There are also a couple of stretch goals planned and I think backers will really like these upgrades to their reward packages. If I can offer more to my backers, I will. I'm still working on some cool ideas and I do hope I can share them with everyone. I also think the reward packages are great as well. And many of them come with freebies too! 

I will be slowly releasing images of the cards as the campaign moves along. I think it's a fun way to peak people's interest and keeping them involved in the project and to show them the progress as it unfolds. 


After a very successful outing with the Mana Zinfandel & Indigo, does the Kickstarter process get any easier, less stressful?
Yes. Definitely easier and maybe less stressful. You'll have to call me after the campaign. haha My Zinfandel & Indigo campaign was more nerve-racking than anything else, because this whole crowd funding platform was all new to me. Now, creating the project was definitely easier and faster for me. I know that the project will eventually evolve so I'm prepared for that. I'm a bit more organized in planning this time around and I'm definitely having more fun. I was also happy to see the project get approved so quickly by Kickstarter compared to my first one.


As a designer, what are your thoughts of the state of the Playing Card industries growth over the past year?
The growth can be a bit overwhelming. The industry was not like this just a couple of years ago. But that isn't a bad thing. I think it's great that more and more people are taking an interest in playing cards. It's great that more people are talking about them and appreciating the artwork and the work involved. 

A lot of that had to do with Kickstarter opening the doors for individuals like me. It empowered us to share our work with the world and we instantly got support and feedback as a result. I've had people tell me that my deck was their first deck they ever bought and it was because of that deck that they started collecting. That just blows my mind! As an artist that's probably the most satisfying thing anyone can say about your work. And all I can say is I'm honored to have any of my decks in anyone's collection. 

The biggest challenge with such a rapidly growing industry is saturation. We're already seeing days of multiple campaigns popping up in a single day. And the community is getting more and more discerning with their choices. Artists constantly have to raise the bar with design to try to deliver something unique. That's great for the community because there are a lot of awesome designs that come out as a result. But it's definitely more challenging for artists to always come up with something new and fresh and I think that's a happy problem.

Early concept of the Sybil Joker

What can we expect from Mana Playing Cards beyond the Sybil decks?
Well, Sybil will be the last of its kind in the Mana series. I'm stepping away from the classical flourish design. I actually have two completely different series lined up. The next project which I've already been working on is a borderless deck with a very unique face design and it's looking beautiful.

I'm also slowly getting into apparel, which I've always enjoyed having. My first line of Tshirts and the Club Cap that I released was a such fun addition to the brand a lot of people love it. I will definitely be putting out some new gear moving forward. Exciting times ahead!

We want to thank Erik for his time and insight into his new project. Make sure to mark your calendars for The Kickstarter launch of Sybil on August 6th, 2014. We wish Erik all the luck in the world and we have no doubt this next chapter of the Mana series will meet with just as much success as Erik's previous releases.

Revealed: Stockholm17 Playing Cards by Lorenzo Gaggiotti


Lorenzo Gaggiotti has just been unveiled as the artist behind the mysterious Stockholm17 Playing Cards. This deck was created exclusively for the launch of Cardlauncher. Besides that, not much is known about this deck.

From the teaser images, Lorenzo's use of simplicity, contrast and eclecticism can be clearly seen on this deck. For example, the diamonds courts have an Egyptian look, the Jacks have a side profile, the Queens faces the front and the King looks to the left towards the Queen (when they are put in the J,Q,K sequence).

The Stockholm17 courts incorporated one or more graphical elements taken and redesigned from the standard Tally-Ho from USPCC as a homage to the well known standard courts.

The Jack of Hearts



The Queen of Clubs



The King of Diamonds



Find out more about Stockholm17 Playing Cards here. Also, to see more exclusives and interviews, please follow us Facebook.

Cardistry: The Inaugural International Cardistry Open


Introduction


The International Cardistry Open (#ico) is a global individual cardistry tournament. The goal is to determine the cardist who excel in all aspects of cardistry. This inaugural tournament is organised by theflush.com.au and supported by New Deck Order (NDO), Three of Clubs and Kardify. The tournament will begin in August and finish in September. Registrations opens on the 26th July.


Rules and Terms & Conditions


Please head over to theflush.com.au to read the full term and conditions of the tournament.



Tournament Format


#ico is a knockout tournament. Consisting of two classes: Beginner and Veteran. Each cardists in the Beginner class will compete in 2 rounds (preliminary and finals) and the Veteran class, 4 rounds (preliminary, round 2, semi finals and finals). Unsuccessful cardists are eliminated from the competition while winning cardists advance to the next round. The winners of the final round will be the #ico champion! Cardists will be asked to produce a 30sec video for each round. The format or content of the video will be announce on the first day of each round.

+ Veteran
August 1: Preliminary
August 15: Round 2
August 30: Semi-Finals
September 13: Finals

+ Beginner 
August 15: Preliminary
August 30: Finals


Judges 


The judging panel for this inaugural tournament consists of:
+ Jaspas Deck, Wold Kardistry Champion 13/14 and founder of NDO.
+ Lance Miller, playing card designer and founder of Lance Miller Cardistry
+ Joey Heininger, owner of theflush.com.au
+ Eli Retschlag, playing card designer and cardist on RetschlagMagician
+ Ivan Choe, founder of kardify

Veteran Class is judged on best demonstrated overall mastery of all aspects of cardistry, which includes execution, difficulty, creativity and presentation. Beginner Class is judged on demonstrated basic aspects of cardistry, which includes execution and creativity.



Sponsors



We have the biggest prize pool of any cardistry tournament to date and this does not happen without the generosity of our sponsors.

Richies Card Store
Card Launcher
Dead on Paper
Kings & Crooks
Design Killer
Tomlinson Cards
Half Moon Playing Cards
Max Playing Cards
Dan and Dave
Also a big thank you to Josh Kuperstein a trusted collector and trader.

Again, a big thanks to our sponsors!


Prizes




Can't do cardistry? Head on over to the #ico group page and participate: leaving comments on posts and feedbacks on videos to win yourself a few rare playing card deck from our giveaways when the tournament kicks off.

So, don't miss out! Join us and cardists of all skill levels from around the world over to compete, share ideas, and become the very first ICO champion.


1-ON-1: RJ Tomlinson


Artists across history seem to have to face adversity as they move along their career, maybe that’s where the term “Starving Artist” comes from. The silver lining in many of these stories is that not only does adversity seem to make these artists stronger and more focused, but also seems to open the door to their true calling. Many of the people I talk to start off doing one thing, mostly out of necessity, to keep their families fed and the bills paid, but seem to find that light, that glimmer that keeps pushing them to chase their dreams and not give up………always gaining more focus on the bigger picture.

Robert Tomlinson is no different. RJ has worked hard to keep his dream alive, and it shows. Now in the middle of his 3rd, soon to be funded, playing card project on Kickstarter, Colonial Unrest, and RJ knows what he’s working for and has seemed to hit a winning formula with his historically themed decks.


RJ’s surrounded by a very artistic family, starting with his wife of 13 years Diane and their two children. It’s a true family affair. Robert was inspired at a young age, like so many others; by Disney movies and the intricacy and detail he would be in awe of when he would visit the Disney Theme Parks. 

Robert studied graphic design at the Pennsylvania College of Technology in Williamsport PA. and upon graduating made a few stops working for various small town newspapers doing graphic design, page layouts and found himself steadily working up the ladder and eventually landing the position as Editor of a Farm Newspaper. While there was no doubt the hard work that Robert put forward showed, the lofty title didn’t exactly make his financial situation all that much better, small town papers just don’t pay as well. 


“Being a small community, graphic design jobs don’t pay what it takes to survive. The first few years of our marriage we knew what it was like to go hungry. There were nights when I would call my Mom to say I missed her cooking just so we could get something to eat.”

To make things better Robert found himself working in a factory for many years, in more of a hard labor situation stoking furnaces and swaging wire. Determined as always, Robert found himself once again moving up the ladder and into a Quality Control Group Leader position that he still holds today. But the way things are now days, the uncertainty is always looming.

“The pay is good but you always feel your job is on the line due to downsizing and outsourcing. Almost every year we have a sizable layoff. Last year I was only spared from layoff (about 30 more people and I would have been gone). In 2009, I wasn’t so lucky that year… my job was cut and I found myself on layoff for over 9 months.”


With time on his hands and needing to have an income, Robert returned to his graphic roots designing logo’s to make ends meet. Eventually Robert was called back to work, but this time it was very difficult to return, it was not as easy and once again necessity took the upper hand….but the creative juices were still simmering and Robert continued to take on graphic work on the side.

“It was at this time I turned to my graphic design roots to fight for survival.  I started doing logo design work to help make ends meet. When work finally called me back… it was hard to go. It was hard to leave something I enjoyed doing to go back to factory work. But in the end, health insurance and a steady pay check outweighs anything else.”

The everyday responsibilities of a regular job and the hours you put into that job sometimes start to eat away at your time, and that did start to affect the amount of time Robert spend on Graphic Design. With the every looming fear of being laid off once again, Robert started to find himself preparing for the unlikelihood and also stumbled across a crows funding site called Kickstarter.


“For a while I stopped doing graphic design work because I was working so much overtime that I didn’t have enough time for anything else.  But during last year’s slowdown where I was barely spared from layoff I decided it would be best to get things rolling so I would be ready for survival mode. That’s when I discovered Kickstarter and the world of playing card design.”

Wanting to make his mark, Robert took to Kickstarter to figure out what he could come up with using his graphic design skills, what would be the right product and how to go about making something that would get the attention of would be backers.

“I’ve always wanted to be able to create a product and bring it to the market place. Kickstarter just happens to be the best way of doing that. Playing cards happen to be the best product you can make because of their collectability. So, in the end, creating something for my kids to remember me by when I’m gone is also a big motivation when it comes to designing playing cards.”


That was then, this is now. Robert’s 1st two Playing Card projects, Civil Unrest and Global Unrest, both funded on Kickstarter and his current project Colonial Unrest has already funded and is still receiving backer support until Aug. 3 2014. The winning “Historical” formula seems to have found its market and Robert finds himself continually wanting to improve his skills to continue to offer better projects and creations. While Playing Cards are a wonderful foot hold for Robert’s talents, he also finds himself wanting to improve his career and life in other ways.

“My goals include improving upon my design skills at the same time build a foundation for a business that can help sustain my family if times ever get hard again. I would like to create a business that my kids can take part in as they become older. Currently, my wife helps me out a lot… so in many ways we already have a solid family business. Personally I would like to improve my health.”

Many Playing Card designers find themselves so attached to the cards they design they start to amass a collection of their own, and while Robert doesn’t consider himself a full blown collector, he does recall how history became such an important part of his designs process and his introduction into Playing cards. 


“Over the last year I’ve been collecting several decks of cards. But I’m not ready to call myself a collector yet. I mainly support fellow card designers on Kickstarter. I came to designing playing cards last year while we took a weekend trip to Old Sturbridge Village. When we were there we learned that about how early Americans produced playing cards featuring George Washington because they didn’t want anything to do with Kings and Queens. That little history lesson sparked my interest in playing cards. Later that summer we went to Gettysburg and realized it was the 150th anniversary of the battle there so I decided our first deck should be based on the American Civil War.”

The rest, as they say, is History. 

I can’t thank Robert enough for taking some time to collaborate on this piece; with running his current project his time is greatly appreciated. If you haven’t checked out Roberts current Project on Kickstarter, Colonial Unrest, you should, check it out and become a backer!

Before parting we did have a few more last minute question for Robert that he was nice enough to answer for us:

Why do your projects so connected to history?
History runs in my family. My father’s side of the family can trace our roots back to 1592. On top of the, we can trace every generation since we came to American in 1632. When you keep such detailed records you can make many connections to notable people. For example, we’re direct decedents to Gideon Tomlinson (former Governor to Connecticut). We’re also distantly related to several US Presidents and television star, Lucille Ball. To me, knowing where you came from is the best way to see where you’re going.

With a few successful projects under your belt, does it get any easier?
Yes and No. In the end, if you have a deck that appeals to people you don’t have too many issues getting it funded. With Colonial Unrest it was funded sooner (and the first time around). With both Civil and Global Unrest I had to retool and re-launch to get those two decks funded.

How much research and planning go into your playing card projects?
I spend anywhere from two to six months planning a deck of cards. A lot depends on how much already know about the subject. I’ve been planning my next historical deck (Titanic) for about five months now.

Are there any plans to create a deck of playing cards not using history as its concept?
Yes, I have a long list of projects I would like to do. Some of the projects I’m working with my wife on are more based on fictional stories rather than just history.

Any final thoughts or comments?
Over the course of the last year I was able to get to know several great people. I really appreciate the help and advice I’ve been given along the way.

Thank you Robert for the little look into your background and the future of TomlinsonPlaying Card Co. I’m sure that we’ll continue to see bigger better projects from you in the future and I'm sure we’ll be seeing your business flourish. 



This exclusive 1-on-1 is written by Anthony Ingrassia for kardify. No part of this article can be reproduced without written permission from the author. You can check out Anthony's awesome collection at sparkzcollector.



Deck View: Origins (First Edition) Playing Cards


Historic. Elegant. Beautiful.

One of our most anticipated 2014 project, the Origins Playing Cards is inspired by the elegance and charm of playing card history. This deck has been meticulously designed by Rick Davidson.

All of the cards are individually researched and custom designed. The courts are beautifully illustrated, the detailed card backs features a metallic gold ink, the tuck cases are fully embossed and the box details are embellished with gloss gold foil, giving it a touch of elegance and sophistication. Absolutely stunning!

Limited stock available from JP Games. Use the code KARDIFY10 during check-out to get 10% off for orders over £50.

Analytics: Kickstarter June 2014



With the increased interest in crowd-funded playing card projects particularly on Kickstarter, we are publishing a monthly tracking report as part of our popular Analytics series. The goal is to give an analytical insight into the month-on-month performance of projects and how these numbers are tracking cumulatively year-to-date.

June was a quiet month and the momentum of the popular crowd-funding platform seemed to have slowed a little for playing card projects. Backers have been more cautious in there pledge pattern this month, mostly pledging for popular decks. The number of successful projects remained largely unchanged. The year-to-date (YTD) numbers continue to surpass 2013 numbers. The chart below describes how 2014 is tracking against the numbers from 2013 as benchmark.


Playing Card Projects 


The number of unsuccessful projects remains at 20% in June while % of successful projects ended close to last months number (33%).

Here is what the month looked like in numbers:



Projects launched in June were predominantly on the first half on the month.



Here's a look at how projects performed over the month, largely unchanged from last month.


Funding


A total of $765k was raised by all projects in June, basically on par with last month.



The Muertos- Day of the Dead ($160k) playing cards made it to the elite $100k club with a total funding of $169k! Amazing! After a slow start, the Muertos- Day of the Dead playing cards rocketed after going viral on 9gag on day20-23 of funding! Congratulations to Steve Minty!

Here is a look at the top 5 most funded playing cards:


The top 5 successful playing cards projects for the month contributed 78% to the overall funding of successful projects!

The average YTD funding goal of a successful project continues to decrease. Currently, it is standing at $10.4k.


Backers 


This month, approximately 21.1k backers were recorded across all projects. The average pledge per backer for successful projects continue to decrease. This month it stands at $40.

Line chart below is a month-on-month comparison for 2014 with the 2013 curve used as benchmark. It is interesting to note that the average spent per backer seem to be trending downwards in the last few months. This could be due to a number of playing cards projects being launched outside Kickstarter and backers have been more conservative in their pledging patterns.



Top 5 funded Projects by backer numbers below:



Launched Projects 


Here are the top 10 most funded projects launched in June:



From the numbers this month, it looks like the momentum slowed a little due to news of alternative crowd-funding platforms launching in July/early August. We expect the numbers for July and most likely August to be similar to this months'.


Data provider:

Indiegogo: 7 Questions with Fabien Defaucheux of the French Touch Playing Cards


The French Touch is a minimalist deck of playing cards, with character. The combination of colours from the French flag gives the deck an artistic and flamboyant look. Expertly designed by Fabien Defaucheux, the French Touch Playing Cards is a tribute to the old decks of 32 playing cards from France and Belgium, which were the first to use spades, hearts, clubs and diamonds suits.

The elegantly decorated French courts have also been meticulously incorporated into this deck. For example, a thick black diagonal line, with a row of white beads as a decoration, doubles the characters. Also, a large suit symbol, partially cut, is repeated by the index in the left corner. In the right corner, instead, the small index overlaps the most peculiar feature of the French pattern: the name of the court character, which each of the 12 subjects has been traditionally identified with. Note the indices are in French: V (Valet = knave), D (Dame = queen) and R (Roi = king). A very eye-catching deck indeed!



Fabien was nice enough to spend some time talking about his design background, the French Touch Playing Cards and the Instagram Playing Card community.

Can you tell us about yourself and what is your design background?
My names is Fabien Defaucheux and I am a 22 years old cardist/flourisher and graphic designer. When I was a kid, I was drawing all the time and this is why I got interested in Art in general. I studied graphic design, architecture and art history for the last five years. Now, I always keep an open eye on what's going on in those fields. I never was really interested in designing something on the computer, I always used it for montages, or to enhance photos of mine. I started graphic design about 2 years ago using Illustrator.

This is your first crowd-funded playing card project. Why Indiegogo?
Well, it is impossible to use Kickstarter if you live in France (for the moment, hopefully). I could have done it with the help of somebody from outside the country, but I actually decided that I would do everything myself, and have a few friends of mine to promote the concept before the launch. I hope that being on Indiegogo won't prevent people from buying the deck. I mean, it is a crowdfunding platform like any other, and the red Fontaines were funded on Indiegogo.

What is the inspiration behind the French Touch playing cards and why are you passionate about it?
The main inspirations for this deck are the old decks of 32 playing cards from France and Belgium. They were literally the first to ever use spades, hearts, clubs and diamonds for the different four suits. I also love how the index of the cards are displayed and the names of the court cards is something very unique that I wanted to keep as well (yes, the Kings, Queens and Jacks have names!)

As for the name, French Touch, I think it's an expression that a lot of people use to describe something made by a French person. The « French Touch » that I actually refer to is the one that occured in the music area. All these musician like Daft Punk, Air, Kavinsly, Justice, Sebastien Tellier,  represent a group of french musician that took over the electronic music industry in the begining of the 90's and they were referred to as the « French Touch ». All the songs I used in the trailer and in the project video are songs from this era, and they have a very unique sound and feel that I really love.

I am really passionate about this because I believe that this project actually makes sense. It is a fully custom deck of playing card with French faces and colors and I really hope people will start using this deck and love it as much as I do.



How much time did you spend working on the deck and can you briefly go through the design evolution of one of your unique card design?
I've been working on my deck for nearly one year now, but it was a really slow process. As I said, I work as a graphic designer for a communication company, and I don't really want to keep working on my computer when I finish my day, even if it is for a personal project. I worked on this over the weekend or basically everytime I have some spare time.

Initially, I wanted to create a deck of cards that would feature a really simple back design. But then, after talking with some friends, I figured it would be fun to have classic French faces for my deck. These court cards are really different for what we use to have in the market. From that point I knew I wanted to do a fully customised design and again, it took me 2-3 days (litterally doing nothing but that) to complete the faces.

For the tuck case, I literally went through 3 different designs, but I wasn't satisfied with it. I ended up creating a box with inspiration from the Steamboat 999, that means illustrations and bold fonts on the edges.

From the French Touch playing cards project page, what are a few of your favorite reward levels and why? 
My favorite reward would be the t-shirts! I had my friend Benoit Pervier (@benoitpervier on Instagram) to create some unique photos to be printed on t-shirts. I'm really excited to see those printed, I really want the « French Touch » to be displayed as a brand and if the project hit the funding goal, I will be able to keep creating decks of playing cards, along with some cool products for magicians and cardists in general.

My favorite reward would be the uncut sheet, but also the deck it self, because if I ever happen to have those in my hands, that would mean that the project was fully funded. I really hope that people like the concept of this deck, I think the market needs more custom court cards like this, and also decks that have a story behind them (like the Ace fulton or the Virtuoso deck)

We first noticed the French Touch playing cards on your Instagram page. What do you think of the playing card community in terms of the feedback and support that you’ve been getting so far?
I feel very special to be a part of this wonderful community. The feedbacks I receive everyday is really something that pushes me to create and raise the quality of the photos I'm taking. We have some great products being released litteraly everyday, and I think it's fun being able to share and discover photos of cards that we don't know about. This is also Why I decided to tease my personal deck on Instagram, and I even created a new account for the French Touch Playing Card Co. People have been really responsive to my design so far, they like what I created and I really hope my deck becomes something people use in their videos and enjoy using in their performances.



Finally, what are your favourite playing card decks? 
My favorite decks of playing cards are the whole Smoke and Mirrors series. I was a huge fan of Si Scott's work even before it's collaboration with D&D and I was really excited when I first saw his design for the Buck twins.

The last decks these guys have realeased (Magic Con 2014, HMNIM) have a phenomenal finish and that's something they have always been known for. They keep pushing the boundaries of what is being done in terms of design and packaging and I really respect the work they do for every product they release.

Thank you for your time Fabien and all the best! 


The French Touch Playing Cards will be printed USPCC. Pledge starts from 8€ ($11) and there are multiple add-ons available such as uncut sheets, T-Shirts and Prints.


Revealed: The United States Playing Card Co. presents Civil War by Jackson Robinson



There is no denying that Jackson Robinson and the Kings Wild Project have made an impact on the playing card industry as well as the crowd funding venue Kickstarter. Jackson has taken a concept and turned it into a business. Not one to sit back and wait, Jackson’s constantly writing the next chapter for the Kings Wild Project as well as himself. The Kings Wild Fulfilment Center was the 1st branch out for the company, and just recently Jackson launched his in house crowd funding platform, Kings Wild Funded that will showcase Kings Wild Projects by Jackson as well as up and coming artists designing decks under the Kings Wild Project’s branding.

Another chapter is right around the corner for Jackson. It’s not a secret or surprise that Jackson was approached by the United States Playing Card Company a while back and contracted to produce a deck for the US based printer. After all, they are very familiar with Jacksons work, having produced all of his projects to date.  The first Official USPC Exclusive playing cards designed by Jackson Robinson will be The Civil War Series; this project will mark the first non-kickstarter project for Jackson and is scheduled for release sometime in the near future.



The historically themed Series will consist of 4 decks, 2 Standard Editions and 2 Limited Edition, both featuring the meticulous detail and design standards we’ve grown accustomed to from Jackson. The Civil War Standard Editions will represent the North Union in a Blue deck and the Confederate South in a Red Deck. The Standard Editions will be released across multiple USPC outlets including their Bicycle web site. The Limited Edition decks will feature the same Tuck and Card design as the Standard Decks, but will be presented in an embossed and foiled tuck box and a limited print run of only 1500 decks of each color.

The Limited Edition decks will be available exclusively on the Kings Wild Project web site for purchase in the near future, so keep an eye out.

To keep up with Kings Wild Projects and never miss an announcement visit the website as well as follow Jackson and Kings Wild on Facebook.




Coming soon to 1-ON-1


Deck View: Seven Seas Playing Cards


Sea Creatures. Pirates. Ghost Ships.

Created by Brain Vessel Creative, the Seven Seas Playing Cards is a customised nautical themed deck with beautiful illustrated images of pirates, ghost ships, sea creatures and life on the high seas.

The deck is about the dichotomy of a life at sea. The Red (hearts and diamonds) side of the deck explores famous sailors, explorers, pirates, and privateers of the age of sail. The court cards focus on the actual historical figures of the time. The dark side (spades and clubs) of the deck explores the dangers sailors would face; be them real or fantasy. Court cards for the spades and clubs explore the monstrous creatures thought to lurk below the waves. What an adventure!

Find awesome decks at JP Games. Use the code KARDIFY10 during check-out to get 10% off for orders over £50.

News: Card Designer Randy Butterfield Announces Solo Project Through Kings Wild Funded


Renowned playing card designer, Randy Butterfield of Midnight Card Company, announced today, July 18, 2014, on Facebook that his first solo project is coming soon. While little is known about the design, the "coming soon" photo (seen above) features a scaly/dragon-like background that is likely related to the project. Time will certainly tell. 

At this point launch details are also slim, however, the project will be eventually kicked off on Kings Wild Funded. Kings Wild Funded is a new crowd/card funding platform that just launched last week and is hosted by Jackson Robinson - the man behind the critically acclaimed Federal 52 playing cards

Partnering with other playing card companies is not new to Randy's go-to-market strategy. In fact, all of his designs to date have been run through The Blue Crown/House Of Playing Cards in some form or another. However, even though this is a collaboration with Kings Wild Funded, it is being sold as a solo project so it is likely Randy has more freedom and is spreading his wings a little more with this one. 

Be sure to follow Kardify as we continue to release more news as this project develops.       

Review: HMNIM Playing Cards


This review is written by Joey Heininger for kardify. No part of this review can be reproduced without written permission from the author.

One of the things I really detest about Dan & Dave was that I was suckered into buying a customized deck from them where all the courts were the same, man I was so upset. How upset was I? Dan & Dave are likely our best sellers and I was contemplating dropping them from our inventory, that’s how upset I was. So imagine my surprise to be suckered in again. That’s right, HMNIM has repeating courts, and you know what, I ain’t even mad.



Just look at this deck, it is beautiful… no I don’t think you really know how beautiful this deck is, get in closer and have a really good look, give it a poke ‘BAM’, and just like that you have fallen prey, you are now ensnared in its beauty.

The art


Hi My Name Is Mark is an apparel company by Mark Hoppus of Blink 182 fame and HMNIM playing cards are a collaboration of them and Dan & Dave and likely one of the Buck twins best marketing ploys in the playing card world only outdone by Theory 11 and their partnership with J.J Abrams.



The art within the deck is focussed around HMNIM’s branding, in particular the use of the octopus, it has a nautical theme and for a guy that built his bathroom in the likeness of Disney’s Nautilus, of course I love it.

What I like


They are just about the coolest looking cards on the planet. The tuck box is beautifully adorned with foils and embossing, the inside of the box is just spectacular. If every deck the Buck twins released came in such a stylish package, they will start to give Theory 11 a run for their money. Oh, and it doesn’t look like a five year old scrawled out the courts with a black crayon during free play at kindergarten so there’s that… cough October cough



What I don’t like


The repeating courts in a custom deck, it’s a real killer for me. For a deck at this price and with the likes of Mark at the helm, one may be of the impression that a full suite of custom courts is not that much to ask for.

What are they good for?


Showing off! Not too crash hot for magic due to their customized nature but have a WOW factor none the less and they do have a bordered design so they can be used. Cardistry, no problem, those borders are thin enough to let the art shine through. But do you know what this deck is best for? Just having, just to say you have one of the coolest looking decks on the market today, put them on the coffee table and just see how many unsuspecting victims it will lure into a conversation.

HMNIM gets 5 and a half out of 8 blood-soaked tentacles.

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News: Legends Playing Card Company Releases Gnostic Playing Cards


Hand illustrated by mentalist & magician Stuart Palm, Gnostic Playing Cards have been released by Legends Playing Card Company today July 16, 2014. According to the press release, Gnostic Playing Cards is "a deck of playing cards designed to inspire passion in those who pursue hidden mysteries. Ancient Gnostic imagery and alchemical symbols have been interwoven into exquisite hand-illustrated artwork. The elements of the design are a product of his research into Gnostic imagery and represent a love for hidden knowledge and ancient wisdom."

Gnostic is one of the first decks on the playing card scene to use foil within the tuck case, which is a feature that truly raises the bar in playing card design and production. Gnostic features thin 2mm white borders and a two-way back design - both of which are fan favorites of magicians and cardists alike. Gnostic comes in two deck colors, lapis blue and rose gold and black. There is also a limited edition red deck that will be available solely through the Conjuring Arts Research Center.

Gnostic Playing Cards are the latest release to come out of Legends Playing Card Company, which is based in Asia and run by Lawrence Sullivan. Lawrence is the mastermind behind the original Legends Playing Cards, which were release almost two years ago. The popularity of the original Legends lead to the creation of this brand new contender in the small world of playing card printing. 





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Kardify 2013